"Reality assumes presence, which has a priviledge position along two parameters, space and time; only the here and now are completely real. By its very existence, the narrative suppresses the now (accounts of current life) or the here (live television coverage), and most frequently the two together (newsreels, historical accounts, etc.)." p.22
Metz, Christian. Film Language: A Semiotics of the Cinema, University Of Chicago Press, 1990.
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